Awards

  • Film

Building character

By

While the glory days of personal and political studio pictures like "Easy Rider" and "Midnight Cowboy" may seem long gone, replaced by a global-blockbuster mentality, a number of this year's most…

  • Film

Alexander Payne

By

With "Sideways," his full-bodied fourth feature, Alexander Payne has moved from the fringes of Hollywood to front and center as the embodiment of a new humanism in American cinema.

Data

Domestic Film DAILY

PROVIDED BY: Box Office

  1. 1

    The Equalizer

    Daily Gross:$3.6M

    Cume to09.30.14: $40.7M

    The Equalizer

    1
    Daily:$3.6M Cumulative:$40.7M Sony / Columbia 22.26%
  2. 2

    The Maze Runner

    Daily Gross:$1.3M

    Cume to09.30.14: $60.2M

    The Maze Runner

    2
    Daily:$1.3M Cumulative:$60.2M Fox 29.30%
  3. 3

    The Boxtrolls

    Daily Gross:$862,914

    Cume to09.30.14: $18.9M

    The Boxtrolls

    3
    Daily:$862,914 Cumulative:$18.9M Focus 17.65%

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Data provided by:

Marketplace

  • Film

Martin Scorsese

By

Unlike "The Aviator" star Leonardo DiCaprio and one of its producers, Michael Mann, Martin Scorsese never really had a particular urge to bring the Howard Hughes story to the screen, but the project…

  • Film

Michael Mann

By

Michael Mann began "Collateral" with a directorial challenge. He wanted to know if it was possible to collapse an entire human life into a 10-hour narrative frame and them collapse that frame into a…

  • Film

Two of a kind

By

"The Passion of the Christ" and "Fahrenheit 9/11" were two of the most profitable films of the year. Along the way, these films' directors, Mel Gibson and Michael Moore, have been treated as both…

  • Film

Mike Leigh

By

British maverick Mike Leigh seems a tad disappointed that his abortionist drama "Vera Drake" has not become embroiled in America's culture wars. "There hasn't been many vociferous negative reactions…

  1. 1
  2. 1,430
  3. 1,431
  4. 1,432
  5. 1,433
  6. 1,434
  7. 1,849