The Man Who Loved Women is truly woeful, reeking of production-line, big star filmmaking and nothing else.
Joining the half-dozen shock-oriented directors who have filmed novelist Stephen King's horror and suspense yarns, David Cronenberg turns The Dead Zone into an accomplished psychological thriller.
The fourth entry in the lucrative Directorty Harry series, Sudden Impact is a brutally hard-hitting policier which casts Clint Eastwood as audiences like to see him, as the toughest guy in town.
A very fine biographical drama, Silkwood concerns Karen Silkwood, a nuclear materials factory worker who mysteriously died just before she was going to blow the whistle on her company's presumed…
As a concert film, Richard Pryor . . . Here & Now should attract and please those who appreciate him as a standup comic. But beyond the ample laughs, there is a beautiful monolog that's so painfully…
Sebastien Japrisot's best-selling suspense novel, One Deadly Summer, has finally made it to the screen in an adaptation by the author, and Jean Becker (son of the late Jacques Becker) has directed…
By no means an easy picture to deal with, this thinking man's version of The Bridge on the River Kwai makes no concessions to the more obvious commercial requirements, unless it is the selection of…
Richard Eyre's second theatrical feature is an exceedingly amiable comic battle of the sexes.
Golan and Globus have corralled 'The Incredible Lou Ferrigno' to topline in a cheesy epic that could just about be titled Hercules in Outer Space. Since a lumpy space suit would cover Ferrigno's…
Intelligent and illogical, beautiful and erratic, Exposed is a provocative, jet-setter's visit to the worlds of high fashion and international terrorism.
Humor from charcoal gray to pitch black, fine suspense, murders and thrills, and all of it without gratuitous gore combine for a jaunty entertainment in The Lift, director Dick Maas' first theatrical…