A violence-drenched fable of Gotham druglords, King of New York is unusual in being an all-American production fully financed by European sources (Italy in this case). It's the first bit that's…
This moody, erotic thriller from two first-time directors overcomes its slight narrative with its confident, bravura direction and cinematography.
Much as the filmmakers would like to get there, Havana remains a long way from Casablanca. In their seventh outing over a 25-year period, director Sydney Pollack and star Robert Redford have lost…
Funny about Love is a not-so-funny Gene Wilder vehicle. Tale of the biological clock regarding procreation is told from a male point of view here. However, Wilder's problems as a would-be-daddy…
Everybody Wins is a very disappointing picture. Repping Arthur Miller's first feature film screenplay since The Misfits in 1961, the Karel Reisz-helmed film noir is obscure and artificial.
Despite occasional silliness, Sam Raimi's Darkman has more wit, pathos and visual flamboyance than is usual in contemporary shockers. Universal, studio that first brought the Phantom of the Opera to…
A followup to the 1982 pic Class of 1984 this violent exploitation film is too pretentious for its own good. Director Mark L. Lester takes a cynical, fake-hip view of young people's future.
This enjoyable supernatural thriller is set in the fundamentalist society of crumbling industrial towns where folks have a deep-rooted faith in the spiritualist movement. Pic opens with journalist…
Pic's really misnamed, since it's not Another 48HRS. but the same 48HRS., the 1982 mismatched buddy action pic.
Joltingly violent, wickedly funny and rivetingly erotic, David Lynch's Wild at Heart [based on the novel by Barry Gifford] is a rollercoaster ride to redemption through an American gothic heart of…
A study of Van Gogh's last years as seen through his tortured relationship with his brother, Vincent and Theo paradoxically is one of Robert Altman's most cinematically conventional films as well as…
2016-2017 Oscar Predictions
- Oscars: With Historic ‘Moonlight’ Win, the Academy Embraces Empathy Over Escapism
- Oscar-Winner Casey Affleck Calls Denzel Washington ‘One of the First People Who Taught Me How to Act’
- Epic Oscars Mistake: Faye Dunaway, Warren Beatty Announce Wrong Best Picture Winner
- ‘La La Land’ Makes Damien Chazelle Youngest Best Director Winner in Oscars History