Jules Feiffer and Alain Resnais make strange bedfellows - the product of their union is this stillborn satiric comedy about an American cartoonist in Paris.
This blatantly excessive directorial debut for Eddie Murphy is overdone, too rarely funny and, worst of all, boring.
Paramount's latest cynical excursion into sadistic violence is lifted slightly above its generic mire by the stylish efforts of debuting director Rob Hedden.
Haunting, mordantly amusing, deliciously sexy, Enemies, a Love Story is Paul Mazursky's triumphant adapation of the Isaac Bashevis Singer novel about a Holocaust survivor who finds himself married to…
Dealers though well produced, is a less than enthralling pic about a yuppie high-flyer and his glamorous mistress.
Gary Oldman's bravura performance as a victimized patient in a Deep South prison hospital for the criminally insane, circa 1950s, fails to cure the film of its manifold structural and stylistic ills…
Howard Brookner (who died after completing this first feature) and Colman DeKay interweave four of Damon Runyon's famous Broadway short stories [The Bloodhound of Broadway, A Very Honorable Guy…
The energy and heart which Robert Zemeckis and story-writing partner Bob Gale (who takes solo screenplay credit this time) poured into the ingenious story of part one is diverted into narrative…
Errol Morris' The Thin Blue Line constitutes a mesmerizing reconstruction and investigation of a senseless murder. It employs strikingly original formal devices to pull together diverse interviews…
The Laser Man is a quirky, cross-cultural, high-tech comedy about serious matters from Peter Wang, who made an impression with A Great Wall. Self-consciously implausible story concerning the…
Dirty Harry Callahan isn't the best and brightest of cops but you can't kill him with cannon, mace and chain. The Dead Pool isn't the best and brightest of the Dirty Harry films, either, but just as…