This enormously impressive film ranks as one of the best of countless pics dealing with the rise of Nazism in Germany in the early 1930s.
David Hare's second feature as a director is a handsomely produced, rather cold drama about the fall of a femme politician.
First and foremost, My Left Foot is the warm, romantic and moving true story of a remarkable man: the Irish writer and painter Christy Brown born with cerebral palsy into an impoverished family. That…
2016-2017 Oscar Predictions
- ‘Sully,’ ‘Patriots Day,’ ‘Deepwater Horizon’ Could Crack Film Editing Oscar Race
- Oscars: ‘Rogue One,’ ‘Suicide Squad,’ ‘Fantastic Beasts’ Advance in Visual Effects Race
- Warren Beatty Honored by Kirk Douglas, Don Cheadle at Santa Barbara Fete
- Playback: Ben Foster on ‘Hell or High Water’ and Being a ‘Builder’ as an Actor
Lost Angels suffers from some of the communication problems which bedevil its young, inarticulate hero. Hugh Hudson's wannabe Rebel without a Cause update tries to be a serious exploration of…
The tale of a down-and-out detective and a seamy femme fatale is a thoroughly professional little entertainment.
Borrowing two good end elements from two 1950s sci-fi pics, The Incredible Shrinking Man and Them!, scripters pit two sets of unfriendly neighbor kids, mistakenly shrunk to only 1/4-inch high…
Gross Anatomy, a seriocomic look at the first year of medical school, should be required viewing for anyone with aspirations in that direction, but for all others, film is about as exciting as a pop…
Alternately affecting and affected, Field of Dreams is a fable about redemption and reconciliation that uses the mythos of baseball as an organizing metaphor.
No previous drug-themed film has the honesty or originality of Gus Van Sant's drama Drugstore Cowboy. Pic addresses the fact that people take drugs because they enjoy them.
Though not always entirely credible, Dead Calm is a nail-biting suspense pic [from the novel by Charles Williams] handsomely produced and inventively directed.
Celia starts out as a likeable family pic about the traumas of a sensitive 9-year-old girl growing up in a Melbourne suburb in the conservative late 1950s. It winds up as something quite different.