Peter Greenaway's grim sense of humor and cheerful assault on all our sacred cows is evident in this new outing from the iconoclastic filmmaker.
This dull sequel reduces the intriguing premise of the original Stepfather to the level of an inconsequential, tongue-in-cheek slasher film.
Society is an extremely pretentious, obnoxious horror film that unsuccessfully attempts to introduce kinky sexual elements into extravagant makeup effects.
See You in the Morning is a bad dream for those who've admired Alan J. Pakula's best work.
This enormously impressive film ranks as one of the best of countless pics dealing with the rise of Nazism in Germany in the early 1930s.
David Hare's second feature as a director is a handsomely produced, rather cold drama about the fall of a femme politician.
First and foremost, My Left Foot is the warm, romantic and moving true story of a remarkable man: the Irish writer and painter Christy Brown born with cerebral palsy into an impoverished family. That…
Lost Angels suffers from some of the communication problems which bedevil its young, inarticulate hero. Hugh Hudson's wannabe Rebel without a Cause update tries to be a serious exploration of…
The tale of a down-and-out detective and a seamy femme fatale is a thoroughly professional little entertainment.
Borrowing two good end elements from two 1950s sci-fi pics, The Incredible Shrinking Man and Them!, scripters pit two sets of unfriendly neighbor kids, mistakenly shrunk to only 1/4-inch high…
Gross Anatomy, a seriocomic look at the first year of medical school, should be required viewing for anyone with aspirations in that direction, but for all others, film is about as exciting as a pop…