From 1997's "G.I. Jane" to the new "Alien" prequel "Prometheus," production designer Arthur Max has begun each of his eight films with director Ridley Scott the same way.
Editor Pietro Scalia worked new format and new techniques
Int'l Film Finance Forum focuses on challenges of funding pics
Stopping piracy "is not just about (paying for) swimming pools in Beverly Hills," says Ted Shapiro, deputy managing director, veep and general counsel for the Motion Picture Association (MPA), the…
Battered states revisit production incentives programs
When Mitch Singer delivers his keynote address at the Film Finance Forum today, he's not going to be talking about anything directly related to funding movies. Instead, Singer, chief digital strategy…
For Jennifer Aniston, TV fame led to movie stardom and now producer-director credits.
The public -- and the biz -- struggle to understand a craft
At first glance, the plot of writer-director Michael R. Roskam's debut feature "Bullhead" seems too Belgium-specific to have widespread international appeal. . .
As Vera in writer/director Pedro Almodovar's "The Skin I Live In" (Sony Pictures Classics) actress Elena Anaya spends a fair amount of time naked, but her epidermis is far from completely exposed.
It took Belgian writer/director Michael Roskam five years to get his feature film debut "Bullhead" in front of the cameras. But as soon as the trailer for the film hit the Internet, the phone calls…