From 1997's "G.I. Jane" to the new "Alien" prequel "Prometheus," production designer Arthur Max has begun each of his eight films with director Ridley Scott the same way.
Scott assembles old collaborators and new d.p. for 'Prometheus'
Int'l Film Finance Forum focuses on challenges of funding pics
Domestic Film DAILY
PROVIDED BY: Box Office
No Good Deed
No Good Deed1Daily:$1.6M Cumulative:$25.9M Sony / Screen Gems -71.48%
Guardians of the Galaxy
Guardians of the Galaxy2Daily:$578,865 Cumulative:$306.6M Disney -72.21%
Dolphin Tale 2
Dolphin Tale 23Daily:$522,465 Cumulative:$16.4M Warner Brothers -87.42%
Stopping piracy "is not just about (paying for) swimming pools in Beverly Hills," says Ted Shapiro, deputy managing director, veep and general counsel for the Motion Picture Association (MPA), the…
When Mitch Singer delivers his keynote address at the Film Finance Forum today, he's not going to be talking about anything directly related to funding movies. Instead, Singer, chief digital strategy…
Battered states revisit production incentives programs
For Jennifer Aniston, TV fame led to movie stardom and now producer-director credits.
The public -- and the biz -- struggle to understand a craft
At first glance, the plot of writer-director Michael R. Roskam's debut feature "Bullhead" seems too Belgium-specific to have widespread international appeal. . .
As Vera in writer/director Pedro Almodovar's "The Skin I Live In" (Sony Pictures Classics) actress Elena Anaya spends a fair amount of time naked, but her epidermis is far from completely exposed.