As a lieutenant in the Israeli army, Orly Adelson learned that if she was sent in to do a job, she might as well be the boss.
Debbee Klein, co-head of Paradigm's most profitable arm, its TV lit department, didn't hesitate to lay out her ground rules when she first met agency chair Sam Gores.
Jeanne Newman calls the brokering of Matt Weiner's tricky "Mad Men" pact with AMC a high point in a year that also saw the attorney's client Ryan Seacrest close a historic $45 million deal…
Near-naked stars in provocative ads, video clips placed in magazines, online equivalents of chain letters -- fall TV marketing campaigns have grown wilder as networks fight to get viewers to sample…
TV has always been a writer's medium, but a director's vision can be fully realized in the made-for.
A quick look at the current landscape reveals a resurgence rivaling the golden age of TV drama.
After a decade of playing the same character, Mariska Hargitay still wakes up every morning asking how she got so lucky to land on "Law and Order: SVU."
The streamlining that has turned Emmy's made-for-TV movie category into a pretaped segment for this year's broadcast, for better or worse, reflects the changing times for the genre.
The digital age exploded right in front of the TCA stage.
For Burnett, "reality" is a sticker that falls short when describing his contributions to the genre.
Domestic Film DAILY
PROVIDED BY: Box Office
Non-Stop1Daily:$1.7M Cumulative:$35.1M Universal Pictures -34.92%
Son of God
Son of God2Daily:$1.3M Cumulative:$30.1M Fox -29.51%
The LEGO Movie
The LEGO Movie3Daily:$974,415 Cumulative:$212.9M Warner Brothers -37.02%