The idea of merging Lifetime and A&E cable networks has been kicking around for more than a decade, but it took the skills of three veteran dealmakers -- and the right economic climate -- to reach…
Matt Bomer, the co-star of USA Network's new drama "White Collar" (Oct. 23), remembers facing his football-loving father, saying he was quitting the team so he could be in a play at Houston's Alley…
Taylor Schilling says when she sat on the panel at the Television Critics Assn. summer press tour, she felt the need to hand out a cheat sheet so the TV scribes could know enough about her to ask…
The hottest ticket in Cannes during the Mipcom market is for Jerry Seinfeld's standup performance pumping up global interest in the comedy-reality hybrid he is producing, "The Marriage Ref."
Angela Bromstad says NBC's fall season bears her partial stamp, with a whiff of what's to come as she strives to bring the once-mighty Peacock network back to its glory days.
As a lieutenant in the Israeli army, Orly Adelson learned that if she was sent in to do a job, she might as well be the boss.
Debbee Klein, co-head of Paradigm's most profitable arm, its TV lit department, didn't hesitate to lay out her ground rules when she first met agency chair Sam Gores.
Jeanne Newman calls the brokering of Matt Weiner's tricky "Mad Men" pact with AMC a high point in a year that also saw the attorney's client Ryan Seacrest close a historic $45 million deal…
Near-naked stars in provocative ads, video clips placed in magazines, online equivalents of chain letters -- fall TV marketing campaigns have grown wilder as networks fight to get viewers to sample…
TV has always been a writer's medium, but a director's vision can be fully realized in the made-for.
A quick look at the current landscape reveals a resurgence rivaling the golden age of TV drama.