Steven Oxman

Saranne Curtin, Alan Vincent

Review: 'The Car Man'

By

Director-choreographer Matthew Bourne calls his company Adventures in Motion Pictures, and the pun is extremely revealing. Bourne creates ballets saturated with visual cultural reflections and driven…

Data

Domestic Film DAILY

PROVIDED BY: Box Office

  1. 1

    The Maze Runner

    Daily Gross:$1.9M

    Cume to09.22.14: $34.4M

    The Maze Runner

    1
    Daily:$1.9M Cumulative:$34.4M Fox -76.03%
  2. 2

    A Walk Among the Tombstones

    Daily Gross:$962,590

    Cume to09.22.14: $13.7M

    A Walk Among the Tombstones

    2
    Daily:$962,590 Cumulative:$13.7M Universal Pictures -67.12%
  3. 3

    This Is Where I Leave You

    Daily Gross:$864,209

    Cume to09.22.14: $12.4M

    This Is Where I Leave You

    3
    Daily:$864,209 Cumulative:$12.4M Warner Brothers -68.56%

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Marketplace

Nancy Bell, Carole Shelley

Review: 'The Circle'

By

W. Somerset Maugham is best known for the novels, but he was also quite a playwright. His 1921 comedy of manners "The Circle" is produced less frequently as time goes on, but The South Coast Rep…

Review: 'Orson's Shadow'

By

If Austin Pendleton's strong and provocative "Orson's Shadow" gets produced in England, it'll be interesting to see how the Brits react to the depiction of Laurence Olivier, the knight in shining…

Review: 'Kiss Me, Kate'

By

The touring version of the hit Broadway revival "Kiss Me, Kate" is a vibrant, colorful and occasionally exhilarating evening, even if there's some iffy lead casting and a muffled sound design that…

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