Steve Chagollan

  • Film

The waiting game

By

Sometimes, Oscar takes its time awarding deserving thesps, as these 10 prove: Morgan Freeman, Judi Dench, Clint Eastwood, Jack Parlance, Jessica Tandy, Peter Finch, Geraldine Page, John Houseman…

Jonathan Rhys Meyers

By

It's rare in today's Hollywood for a performer to summon the spirit of Montgomery Clift -- the Stanislavsky-trained actor who was the bridge between Method icons John Garfield and Marlon Brando.

Data

Domestic Film DAILY

PROVIDED BY: Box Office

  1. 1

    Teenage Mutant Ninja Turtles

    Daily Gross:$7.6M

    Cume to08.12.14: $79.8M

    Teenage Mutant Ninja Turtles

    1
    Daily:$7.6M Cumulative:$79.8M Paramount Pictures 13.49%
  2. 2

    Guardians of the Galaxy

    Daily Gross:$6.6M

    Cume to08.12.14: $188.5M

    Guardians of the Galaxy

    2
    Daily:$6.6M Cumulative:$188.5M Disney 23.68%
  3. 3

    Into the Storm

    Daily Gross:$2.1M

    Cume to08.12.14: $21.1M

    Into the Storm

    3
    Daily:$2.1M Cumulative:$21.1M Warner Brothers / New Line 21.06%

See Full List

Data provided by:

Marketplace

  • Film

Lookback: Faye Dunaway

By

Starting in the late '60s through the following decade, a period when studio polish and artistic merit weren't necessarily mutually exclusive, Faye Dunaway's star power was at its zenith. Looking…

Steven Spielberg

By

Like no other filmmaker before or after, Steven Spielberg embodies the push-pull contradictions that lie at the heart of Hollywood's eternal struggle between art and commerce. He's both mogul and…

Rob Marshall

By

Rob Marshall's background as a Broadway choreographer gave little indication that his feature directorial debut on "Chicago" would result in a picture Academy Award for Miramax, and an Oscar nom and…

Terrence Malick

By

Perhaps it's the artistic leeway he gives to his collaborators, or his background as a Harvard grad and Rhodes scholar who later taught philosophy at MIT, but those who have worked with Terrence…

  • Film

The Libertine

By

That it has languished on the shelf for more than a year -- it screened as a work-in-progress at Toronto in September 2004 -- should take nothing away from this rather fearless meditation on…

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