Scott Foundas

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  • Film

Review: 'My Father's Son'

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Ben Van Hook and Eric Breitenbach's "My Father's Son," anunobtrusive gaze into the lives of a band of homeless men living, by choice, in the woods outside of Orlando, starts out fascinating, becomes…

  • Film

Review: 'Draftedodging'

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An indie movie on one of the favorite subjects of indie movies -- the idea that you can't go home again -- Wendall Adams' "Draftdodging" concerns the frequently absurd efforts of a twentysomething…

Data

Domestic Film DAILY

PROVIDED BY: Box Office

  1. 1

    No Good Deed

    Daily Gross:$1.8M

    Cume to09.16.14: $27.7M

    No Good Deed

    1
    Daily:$1.8M Cumulative:$27.7M Sony / Screen Gems 13.13%
  2. 2

    Guardians of the Galaxy

    Daily Gross:$778,903

    Cume to09.16.14: $307.3M

    Guardians of the Galaxy

    2
    Daily:$778,903 Cumulative:$307.3M Disney 34.56%
  3. 3

    Dolphin Tale 2

    Daily Gross:$703,203

    Cume to09.16.14: $17.1M

    Dolphin Tale 2

    3
    Daily:$703,203 Cumulative:$17.1M Warner Brothers 34.59%

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  • Film

Review: 'X-Patriots'

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A truly oddball venture --- a romantic drama shot and set in the Netherlands, made by African-American filmmakers --- Darien Sills-Evans' "X-Patriots" generates interest for its novelty value alone…

  • Film

Review: 'The Specimen'

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The unsettling strength of John Hyams' feature-length docu on the bone-smashing world of professional mixed-martial-arts competitions is the unfettered honesty, bordering on despair, that Hyams draws…

  • Film

Review: 'G'

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Christopher Scott Cherot's "G" is less an adaptation of F. Scott Fitzgerald's "The Great Gatsby" than a reimagining of it. And it's that loosening of the literary bonds that frees it from a text that…

  • Film

Review: 'Emmett's Mark'

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"Emmett's Mark" exudes the wintry desolation of James Gray's films minus the depth of character. Helmer-scribe Keith Snyder's debut feature is as competent as any direct-to-vid feature, and it…

  • Film

Review: 'Too Pure'

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"Too Pure" is an exercise in unpleasantness, recycling familiar elements to tell the supposedly true story of a Mexican-American woman (Mayte Vilan) kidnapped and tortured by a roving band of…

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