Scott Foundas

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  • Film

Review: 'Cry Funny Happy'

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Writing and directing debut of Sam Neave, "Cry Funny Happy" is a semi-improvised dramedy in the Mike Leigh vein that ultimately proves how difficult it is to do this sort of thing well. Pic provides…

  • Film

Review: 'Paule and Julia'

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Delinquent youth pic, "Paule and Julia" is very much in the mold of "Fear," "Mad Love" and other movies where a girl/boy from the good side of the tracks falls for a devil-may-care boy/girl from the…

Data

Domestic Film DAILY

PROVIDED BY: Box Office

  1. 1

    The Equalizer

    Daily Gross:$3.6M

    Cume to09.30.14: $40.7M

    The Equalizer

    1
    Daily:$3.6M Cumulative:$40.7M Sony / Columbia 22.26%
  2. 2

    The Maze Runner

    Daily Gross:$1.3M

    Cume to09.30.14: $60.2M

    The Maze Runner

    2
    Daily:$1.3M Cumulative:$60.2M Fox 29.30%
  3. 3

    The Boxtrolls

    Daily Gross:$862,914

    Cume to09.30.14: $18.9M

    The Boxtrolls

    3
    Daily:$862,914 Cumulative:$18.9M Focus 17.65%

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  • Film

Review: 'Love Forbidden'

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Torpid, academic vanity project for helmer-thesp Rodolphe Marconi, shot before -- but completed after -- his 2001 debut "This is My Body" (which played in the Directors Fortnight at Cannes), "Love…

  • Film

Review: 'The Antman'

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"The Antman" is a lovingly-made but sluggish monster-movie parody, done with German-speaking actors on a soundstage standing in for 1950s Mexico. The first in a projected series of B-movie homages…

  • Film

Review: 'Briar Patch'

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A Southern Gothic melodrama so deep-fried you can just about feel your arteries hardening, the Virginia-set "Briar Patch" might have worked as a rollicking Tennessee Williams send-up, if only the…

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