I met Christopher Lee only once, over dinner at the 2013 Locarno Film Festival, where he was due to receive a lifetime achievement award. But even one night with Lee, who died June 7, was something…
"No one's impressed by a dinosaur anymore," notes one character early on in "Jurassic World," and it it's easy to imagine the same words having passed through the lips of more than one Universal…
Chief among things that go bump in the night in "Insidious: Chapter 3" is the movie itself — a thuddingly dull prequel to James Wan's very enjoyable (and highly profitable) demonic-possession horror…
"My name is Claude Lorius," says the subject of Luc Jacquet's "Ice and the Sky" more than once during the well-intentioned enviro-advocacy film that closed this year's Cannes Film Festival.
Many a filmmaker shows up at the Sundance Film Festival dreaming of becoming the next Martin Scorsese. But only Alfonso Gomez-Rejon can claim to have crashed on the legendary director's sofa, retyped…
Bill Pohlad never wanted to be that cliche of the successful industry insider who goes around town lamenting, "What I really want to do is direct." But the Oscar-nominated producer-financier behind…
PETER DEBRUGE: Well, I didn't see that coming. In what feels like a twist ending — one that leaves me feeling a bit like Tim Roth at the end of "Chronic" — the Cannes jury has awarded the Palme d'Or…
Any animated feature screening in Cannes in the wake of Pixar's universally adored "Inside Out" was bound to seem like an anticlimax.
The more things change, the more they stay the same for the Sri Lankan refugees of Jacques Audiard's "Dheepan."
The cinema's consummate chronicler of a China evolving so rapidly that its own citizens can scarcely keep apace, Jia Zhangke strikes a melancholic chord in "Mountains May Depart."
Two years after making his U.S. debut with the crackerjack kidnapping drama "Prisoners," French-Canadian director Denis Villeneuve ups his own ante with "Sicario."