The offscreen palace intrigue between director Olivier Dahan and distributor Harvey Weinstein turns out to be far livelier than anything on screen in Dahan's cornball Grace Kelly melodrama.
It is the voice — lilting, lightly French-accented — that one notices first, even before fully registering the famous face. You notice it because, in the movies, Marion Cotillard so rarely sounds…
Seated at his desk in a third-floor office at the Cannes Film Festival's Paris headquarters, Gilles Jacob exudes the calm, patrimonial authority of a lion in winter — or, as Jacob likes to describe…
Variety critics talk the can’t-miss pics at this year’s Cannes Film Festival — and attempt to do so in 140 characters or less. (Click image for large preview.)
The career-imploding misadventures of former IMF chief Dominique Strauss-Kahn get filtered through the uniquely lurid prism of director Abel Ferrara in "Welcome to New York."
Casting aside rumors of editing-room tensions between himself and director James Gray, Harvey Weinstein spoke proudly and enthusiastically about Gray's lush 1920s period drama "The Immigrant" Tuesday…
Menopause may well be a universal condition, but the brand of narcissistic self-examination on display in Henry Jaglom's "The M Word" is distinctly Southern Californian.
Watching the redoubtable Elizabeth Banks try to breathe life into the stillborn farce "Walk of Shame" is like watching a team of paramedics perform CPR on the corpse of Ulysses S. Grant.
Literally, the title of Dan Wechsler's "More Than the Rainbow" describes a photo taken by the movie's principal subject, New York street photographer Matt Weber.
"Jerry Maguire Goes to India" or "Slumdog Fireballer" must have been the high-concept pitch for baseball drama "Million Dollar Arm."
U.S. audiences still waiting to catch Bong Joon-ho's sci-fier in theaters can own it now in a handsome Blu-ray edition.