There's more dialogue in the first reel of Lisandro Alonso's "Jauja" than in all four of the young Argentinian director's prior narrative features combined.
The saddles don't blaze in "A Million Ways to Die in the West," and the pacing is limper than a three-legged horse.
Our top reviewers discuss the standouts of a festival that, as usual, proved to be far richer than the negative early buzz suggested.
Ken Loach has taken a despicable episode of modern Irish history and made a surprisingly lovely, heartfelt film from it with "Jimmy's Hall."
"Contempt" meets "Lassie" in Jean-Luc Godard's "Goodbye to Language," a characteristically vigorous, playful, mordant commentary on everything from the state of movies to the state of the world.
Cold in July Director: Jim Mickle Opens: May 23 (IFC) Why it matters: Mickle has proved himself a master of brutally efficient yet oddly lyrical low-budget genre movies. His latest, an '80s-set crime…
As much as she stood out from the crowd as Edith Piaf, that's how much Marion Cotillard blends into the unfettered working-class environs of "Two Days, One Night."
John Boorman has gone back to the wellspring of personal experience that so richly informed his 1987 "Hope and Glory" for "Queen and Country."
Ned Benson's two-volume, three-hour-plus marital drama has shed its bifurcated structure and some 70 minutes from its running time, but what's been lost in girth and conceptual framework has arguably…
The promise of Australian director David Michod's 2010 debut feature "Animal Kingdom" is amply realized in "The Rover."
English painting's renowned master of light, Joseph Mallord William Turner, gets a suitably illuminating screen biography with Mike Leigh's "Mr. Turner."