Abduction paradoxically results in liberation for both the sheltered daughter of a rich industrialist and her hardened criminal kidnapper in Imtiaz Ali's "Highway."
Maurice Linnane chronicles an important, atypically tranquil moment in Amy Winehouse's tumultuous career.
Marcel Ophuls might have done well to let someone else direct this energetic but scattershot self-portrait.
Israeli helmer Eytan Fox's candy-colored musical is an endearingly goofy celebration of the right to be yourself.
Jessica Habie's quasi-experimental two-hander is short on plot but long on impressionistic imagery.
One might think, given the experience and talent of those involved, that someone would have noticed that "Demi-soeur" was a recipe for disaster.
Composed almost exclusively of edited-together clips from Eric Rohmer's films linked by voiceover, Richard Misek's "Rohmer in Paris" presents itself as both an analysis of the New Wave filmmaker's…
Abandoning the debilitating hunt for Hollywood funding, Alexandre Rockwell gleefully returns to his freeform indie roots in "Little Feet."