Film Review: ‘Flesh of My Flesh’
In Denis Dercourt's oddly sparse "Flesh of My Flesh," a spaced-out blonde lures, kills and chops up men to feed her ailing six-year-old daughter.
Ronnie Scheib
Film Review: ‘Cannibal’
Antonio de la Torre is brilliant as a killer and eater of young women in Manuel Martin Cuenca's sumptuously lensed psychological drama.
Film Review: ‘Felony’
The mere exchange of glances builds as much suspense as a kinetic action sequence in Matthew Saville's tense, stylish psychological thriller.
Film Review: ‘Run Boy Run’
Pepe Danquart's Holocaust drama sticks faithfully but unimaginatively to its source.
Film Review: ‘Highway’
Abduction paradoxically results in liberation for both the sheltered daughter of a rich industrialist and her hardened criminal kidnapper in Imtiaz Ali's "Highway."
Film Review: ‘Amy Winehouse: The Day She Came to Dingle’
Maurice Linnane chronicles an important, atypically tranquil moment in Amy Winehouse's tumultuous career.
Film Review: ‘Ain’t Misbehavin”
Marcel Ophuls might have done well to let someone else direct this energetic but scattershot self-portrait.
Film Review: ‘The New Black’
Yoruba Richen's documentary offers a balanced spectrum of black opinions on gay marriage.
Film Review: ‘Endless Love’
This sugary remake (or re-adaptation, whatever) is an innocuous fairy tale about the shining power of puppy love.
Film Review: ‘Cupcakes’
Israeli helmer Eytan Fox's candy-colored musical is an endearingly goofy celebration of the right to be yourself.
Film Review: ‘Mars at Sunrise’
Jessica Habie's quasi-experimental two-hander is short on plot but long on impressionistic imagery.
