Well-drawn characters, engaging performances and a convincingly rooted storyline distinguish Claudia Pinto Emperador's accomplished debut.
Two middle-aged family men begin a life of crime in first-time Spanish director Alejandro Marzoa's nicely understated black comedy.
Abolfazl Saffary's apocalyptic vision of Iran is as visually compelling as it is shockingly unexpected.
A feel-good lesson in cross-cultural tolerance, Maksim Panfilov's debut feature soon turns sententious and contrived.
Alphan Eseli's shattering debut is a strong, disturbing anti-war film set in Eastern Anatolia following the 1915 Battle of Sarikamis.
Hampered by pedestrian mise-en-scene, a sketchy script and uneven acting, Karl Lentin's debut feature underwhelms.
Despite Jordis Triebel's strong performance, this latest drama about a divided Germany ultimately gets mired in details.
Mathieu Roy's semi-autobiographical gloomfest wallows in existential angst as two grown sons deal with their aged father's worsening Alzheimer's disease.
Bojan Vuk Kosovcevic's triptych is a despairingly effective vision of hell on the homefront, not for the faint of heart.
Juliette Binoche plays a photojournalist caught in a war zone in this gripping, emotionally resonant drama from director Erik Poppe.
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