Ronnie Scheib

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Review: ‘Cedar Bar’

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In "Cedar Bar," painter and avant-garde filmmaker Alfred Leslie sends a wildly contrasting barrage of pop culture images, culled from Hollywood films, TV shows, newsreels and porn flicks, jostling…

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Review: ‘Nola’

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Labored, artificial stab at '40s/'50s-style romantic comedy, "Nola" abounds in theatrically overwritten repartee meant to sparkle. In his admitted desire to update Billy Wilder…

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Review: ‘The River’

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"The River" ponders whether you can go home again, particularly if you've never been there. When Alfa kills his drug-dealer boss, his brother cryptically suggests he leave Paris and "go toward the…

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