If not a quantum leap forward in science docs, "The Atom Smashers" entertainingly brings particle physics -- and the brainy geeks who've devoted their lives to its study -- into sharp focus.
A tantalizing mix of documentary, fiction and everything in between (including musicvideo), Miguel Gomes' 150-minute love song to rural Portugal, "Our Beloved Month of August," scores viscerally as…
Vancouver's Dragons and Tigers competition, which should support the deserving helmer in future prospects, if not in bringing the technically cloudy pic to sunny reception worldwide.
Hardly innovative, but effective and handsomely produced, "Hansel & Gretel" puts the "grim" in Grimm while placing South Korean director Yim Phil-sung on the shortlist of "Pan's Labyrinth" emulators…
A fierce assertion of decades-long U.S. rogue government criminality isn't ruined by the awful decision to include awkwardly noirish re-enactments in "Apology of an Economic Hit Man."
Alternately political and apolitical, pessimistic and optimistic -- but rarely, if ever, cinematic -- Sam Bozzo's "Blue Gold: World Water Wars" works best as a smallscreen educational docu that…
Despite some detailed insight into the stress of bourgeois German marrieds in early midlife crisis and on the brink of divorce, writer-director Lola Randl's debut feature, "Days in Between," passes…
Astra Taylor's philosophizing-heads docu serves as a playful riposte to the notion that movies are for turning one's mind off.
Not a Hong Kong remake of Bill Clinton's fave Western, but a remake of producer Eric Tsang's own Taiwanese "Winds of September," "High Noon" tracks seven rowdy high school boys with names like…
With great concision and clarity, vet Brit documentarian Molly Dineen builds from a seemingly slight urban protest of fox hunting to a profound look at the ravages of Western culinary "progress" in…
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