Pixar has fashioned a poignant tribute to mother-daughter relationships.
With "Goldfinger," we noted the differences between Connery's gentleman Bond and the new brutish version introduced in recent years by Daniel Craig, an actor whose interpretation many have seen as a…
Before the movie bug bit, I owed nearly all my fantasies to Ray Bradbury.
In the 20 months since Guillermo del Toro announced his partnership with DreamWorks Animation, he has consulted on four DWA releases.
I seriously doubt that "Goldfinger" was the first Bond movie I saw, but there's no question it was the one that cemented my love for the franchise -- the gold standard against which all subsequent…
A well-intentioned coming-of-ager strong on ethnographic interest but disappointingly lax on narrative.
Variety's senior film critics, Justin Chang and Peter Debruge, discuss divisive movies, originals vs. adaptations, and what the jury got right and wrong at the 65th Cannes Film Festival.
"Amour," Austrian writer-director Michael Haneke's emotionally acute drama about the final months of a marriage, won the Palme d'Or at the Cannes Film Festival on Sunday night.
French troublemakers Benoit Delepine and Gustave de Kervern concoct yet another portrait of bizarre behavior in this virtually unexportable oddity.
Confidently expanding his inquiry into the essence of American masculinity, Nichols' latest pressure-cooker pastoral conjures a wily figure of endangered Southern chivalry whose name is … you guessed…
A cross between Charles Addams and Mad magazine, "The Suicide Shop" has cartoony fun with Jean Teule's cult novel, in which a Parisian family sells all the tools a weary soul could want for offing…