A powerful drama exploring behavioral connections between schoolyard bullying and tribal violence.
A saucy novelty bound to find its very small aud among middle-aged, Middle American arthouse patrons.
If Henry is guilty of anything, it's being a passive protagonist.
A teen jezebel who hits the road in search of her deadbeat dad.
This witty coming-of-ager should do well for the Weinstein Co., which acquired the title at Toronto.
Grief may be the topic under examination, but humor is the tool with which it's dissected.
What should have been a shoo-in to the camp canon is more schizophrenic than its titular nutcase.
A deeply poignant and disarmingly personal second feature from writer-director Mike Mills.