Having pulled the improv equivalent of streaking through a mosque with "Borat's" ambush tactics, Sacha Baron Cohen retreats behind the veil of scripted comedy in "The Dictator."
Something stops Max from aging in "Somebody Up There Likes Me," a droll, low-budget comedy that never comments on the fact that its lead character remains roughly 28 for his entire life.
It's one girl against the world in "Lola Versus," a snappy yet sincere romantic comedy that begins where others end, with the proposal and wedding plans pointing toward happily ever after.
2016-2017 Oscar Predictions
Few actors seem to relish punishment like Mel Gibson, who throws himself in a Mexican prison for this tongue-in-cheek bad-guy-makes-good actioner.
Institutions innovate ways to connect students with mentors.
The trouble with destiny is that it leaves no room for surprise; ditto this safe midseason romancer.
From Scotland with love comes the most peculiar project of Sean Connery's career, a woefully anemic animated feature that counts the actor's trademark brogue as its most marketable asset.
The turbulent story of a support network for 9/11 survivors takes a turn for the bizarre when a reporter uncovers the fact the group's leader isn't who she says she is in "The Woman Who Wasn't…
Leave it to a sibling comedy duo to recognize the potential for brotherly love amid the Three Stooges' slap-happy antics.
A short yet satisfying glimpse behind the scenes of waste management that feels like a breath of fresh air in a field that typically leaves people holding their nose.
In the zeitgeist-examining docu-essay "Welcome to the Machine," director Avi Zev Weider ponders the degree to which man's present and future are dominated by his inventions.