Had James Thurber worked in animation, the waggish result might look and sound a bit like "It's Such a Beautiful Day," indie cartoonist Don Hertzfeldt's alternately poignant and absurdist triptych.
Pierce Brosnan was the first person to play Bond since Sean Connery with the stature, charisma and magnetism to elevate the role above the material itself.
Spike Lee's upcoming 'Red Hook Summer' reps a significant milestone in post-'Arbitrage' sked
"License to Kill" is the first Bond movie since "From Russia With Love" (1963) that feels as if it was made for adults.
A heavy-handed inspirational drama that plays to audiences' emotions rather than their intelligence.
In a perfect world, Pierce Brosnan would have succeeded Roger Moore as 007 in "The Living Daylights," thereby shaving 25 years off the character's age.
Bearing a superficial resemblance to Venice prizewinner "Pieta," but actually more in sync with classic neorealism.
You can't build a house without breaking a few laws; that's the message of "Still," in which an elderly New Brunswick man runs afoul of the Royal District Planning Commission while constructing a…
Variety's senior film critics, Peter Debruge and Justin Chang, discuss the pleasures, challenges and awards season implications of this year's Toronto Film Festival.
Half crinoline romance, half crusty military-history lesson, "Emperor" goes behind the scenes immediately following Japan's surrender in World War II to reveal the delicate negotiations that allowed…
By the time of "A View to a Kill," Roger Moore had overstayed his welcome as Bond. Even the actor was eager to move on, but that didn't stop Broccoli from putting him through the wringer one last…