A disastrously dull take on the disaster-movie formula that chooses to spend the last three weeks of life on earth with two of its least interesting inhabitants.
Even the worst Eon-backed Bond movie has the distinction of being better than Charles K. Feldman's "Casino Royale," the first of two unofficial 007 pics (the other being "Never Say Never Again") in…
Frisky and frivolous, Woody Allen's "To Rome With Love" serves up four comical vignettes in the latest stop on the director's breezy tour of romantic Euro locales.
Pixar has fashioned a poignant tribute to mother-daughter relationships.
With "Goldfinger," we noted the differences between Connery's gentleman Bond and the new brutish version introduced in recent years by Daniel Craig, an actor whose interpretation many have seen as a…
Before the movie bug bit, I owed nearly all my fantasies to Ray Bradbury.
In the 20 months since Guillermo del Toro announced his partnership with DreamWorks Animation, he has consulted on four DWA releases.
I seriously doubt that "Goldfinger" was the first Bond movie I saw, but there's no question it was the one that cemented my love for the franchise -- the gold standard against which all subsequent…
A well-intentioned coming-of-ager strong on ethnographic interest but disappointingly lax on narrative.
Variety's senior film critics, Justin Chang and Peter Debruge, discuss divisive movies, originals vs. adaptations, and what the jury got right and wrong at the 65th Cannes Film Festival.
"Amour," Austrian writer-director Michael Haneke's emotionally acute drama about the final months of a marriage, won the Palme d'Or at the Cannes Film Festival on Sunday night.