Another half-formed feature from indie cinema's most prolific doodler, "Happy Christmas" demonstrates that Joe Swanberg is better at making babies than he is at making movies.
In their second conversation from the 30th Sundance Film Festival, our chief critics take on the rise of technology, the difficulty of diversity, and the differences between self-examination and…
"We're not trash, we're good people," insists 14-year-old Andrew in "Rich Hill," an open-hearted portrait of impoverished American life named after the tiny Missouri town where it takes place.
Attacking the status quo with infectious humor rather than strident criticism, Gillian Robespierre's uproarious "Obvious Child" centers a good old-fashioned romantic comedy around a woman's decision…
Scott Foundas, Justin Chang and Peter Debruge weigh in on the best and brightest of Park City 2014.
With the exception of Tim Burton, few American directors have maintained a stronger auteurial hold on their careers than Araki, who seizes on "White Bird" as a chance to explore familiar issues of…
Let's say you want to shag a sexy British indie rocker. "Song One" not only instructs you on how to go about it, but also suggests your lucky score could inspire the first track on his next album.
Filmed in sequence across 12 years, this unprecedented experiment in longterm storytelling attempts to capture child actor Ellar Coltrane's coming-of-age oncamera.
"I Origins" puts the eyes in sci-fi, recasting those proverbial windows to the soul as the key to so much more than philosophers, scientists or fashion photographers had ever previously considered.
Truth springs from the title and trickles down into every pore of "Love Is Strange," an uncompromising yet accessible slice-of-life expression from Ira Sachs, one of the most perceptive and personal…
Kat Candler's debut doesn't add much in the way of insight to the juvenile delinquency genre, but boasts a stunning breakthrough performance from newcomer Josh Wiggins as the troublemaker in…