Apart from the image of Jesus hanging from the cross — which, incidentally, is the first thing we see in Italian director Piero Messina's "The Wait" — perhaps the most instantly recognizable scene in…
Imagine "Die Hard" as told from the point of view of one of the terrified office workers huddled under her desk while angry Germans hold Nakatomi Plaza hostage.
"Equals" director Drake Doremus has good news and bad news about the future. The bad news is that love, sex and anything to do with human emotion has been eradicated.
Cover your ears and open your hearts: In French director Xavier Giannoli's pitch-perfect comedy of manners, "Marguerite," a shameless chanteuse with a surplus of money and a shortage of talent buys…
Sometimes you have to take the bull by the tail — which applies just as much to director Gabriel Mascaro's seemingly backward approach to "Neon Bull" as it does to the bizarre Brazilian rodeo scene…
Celia Rowlson-Hall has the body of a tomboy, the brain of a feminist and an imagination quite unlike anyone else.
Toward the end of Matias Bize's "The Memory of Water," an attractive Chilean couple unable to cope with the death of their child take to the woods to talk things over.
PETER DEBRUGE: Looks like Toronto is the latest film festival to add a television section to its lineup. These days, everywhere from Sundance to SXSW to the Canadian "festival of festivals,"…
Unfolding in the same moral gray area as "Michael Clayton," where ethical compromises resonate louder than gunshots, Nicolas Pariser's "The Great Game" suggests how a sophisticated French helmer…
Galvanized by a surprise Oscar nomination for "A Cat in Paris," animation co-directors Jean-Loup Felicioli and Alain Gagnol stand their stylistic ground with "Phantom Boy."
An ominous storm cloud materializes over Switzerland, stopping at the country's borders while threatening its residents with potentially catastrophic effects.