Cannes Film Review: 'Only God Forgives'
Kristin Scott Thomas easily upstages Ryan Gosling's near-catatonic turn in this reunion of "Drive" director and star.
Kristin Scott Thomas easily upstages Ryan Gosling's near-catatonic turn in this reunion of "Drive" director and star.
Docu helmer's technique blends flashes of melodrama with such naturalistic choices as shooting on location and working mostly with non-actors, resulting in a challenging fiction/nonfiction hybrid…
Set to unspool Stateside on HBO, "Behind the Candelabra" is the most bigscreen-worthy film Steven Soderbergh has made since "Che."
An enticing blockbuster concept gets a lackluster execution from Japanese genre director Takashi Miike.
This alternately sensuous and silly pastiche suggests director Yann Gonzalez may be the next Almodovar or Ozon.
Indulging one of film history's more entertaining "what might have been" stories, first-timer Frank Pavich delivers his own mind-blowing cult movie.
An idiosyncratically personal yet captivating 100-minute companion piece to 'The Story of Film,' focused entirely on the depiction of kids onscreen.
A film whose measured pace and minimal conflict seem better suited to pastoral living than arthouse viewing.
Admirers of Ari Folman's "Waltz With Bashir" should adjust their expectations for this trippy cautionary tale.
For proof of how much the film industry has changed over the past four decades, one need look no further than Jerry Schatzberg's "Scarecrow," which won the Palme d'Or in Cannes 40 years ago this…