In a joint venture with Deluxe's Efilm subsid, Universal has opened a digital intermediate suite inside the studio's sound department.
Harvard didn't exactly lay out the welcome mat for helmer David Fincher and his cast and crew when they shot "The Social Network" in fall 2009. The university blocked access to its campus, where the…
Warner Bros. is heading Down Under for some of the vfx on the upcoming feature "Green Lantern."
The American Society of Cinematographers (ASC) has called for entries in the 2011 William A. Fraker Heritage Award competition for outstanding artistic achievement in student filmmaking.
U.K.-based re-recording mixer Mike Prestwood Smith is joining Todd-AO's Santa Monica facility.
What's almost as scary as being buried alive in a coffin? Shooting a feature film inside that coffin, says cinematographer Eduard Grau.
Fred Meyers, who recently worked on George Lucas' independent feature "Red Tails," is joining Burbank-based film technology and equipment shingle Band Pro.
FotoKem unit Keep Me Posted (KMP), which specializes in television episodic and commercial finishing, has expanded its commitment to products from Digital Vision.
Audio post-production house Todd-AO is the first sound facility to install Christie Solaria series projectors to boost its digital cinema capabilities.
Woody Allen likes to tell his stories with long, uncut takes -- a style that perfectly suits the taste of Vilmos Zsigmond, the cinematographer on the helmer's "You Will Meet a Tall Dark Stranger,"…
The city of Ventura, just to the northwest of Los Angeles, has launched Film Ventura, an advisory committee to promote film and TV production.
- Oscars Producer Says She Wouldn’t Want Anyone but Jimmy Kimmel to Host 90th Academy Awards
- Jude Law on ‘The Young Pope’ and How Global Politics Could Shape a New Season
- Cannes 2017 Lineup Is High on Auteur Intrigue, Low on Safe Awards Bets
- John Ridley’s L.A. Riots Documentary ‘Let It Fall’ Aims for Oscars Over Emmys