What's almost as scary as being buried alive in a coffin? Shooting a feature film inside that coffin, says cinematographer Eduard Grau.
Fred Meyers, who recently worked on George Lucas' independent feature "Red Tails," is joining Burbank-based film technology and equipment shingle Band Pro.
FotoKem unit Keep Me Posted (KMP), which specializes in television episodic and commercial finishing, has expanded its commitment to products from Digital Vision.
Audio post-production house Todd-AO is the first sound facility to install Christie Solaria series projectors to boost its digital cinema capabilities.
Woody Allen likes to tell his stories with long, uncut takes -- a style that perfectly suits the taste of Vilmos Zsigmond, the cinematographer on the helmer's "You Will Meet a Tall Dark Stranger,"…
Arri is giving plenty of support to Germany's first live-action 3D production, "Wickie and the Treasure of the Gods."
"Despair," a short film produced by bi-coastal digital effects house Look Effects in collaboration with California photographer Alex Prager, is being included in New York's Museum of Modern Art 2010…
The city of Ventura, just to the northwest of Los Angeles, has launched Film Ventura, an advisory committee to promote film and TV production.
Hollywood post house Digital Jungle has launched a music video division named - what else - Digital Jungle Music Video (DJMV).
Hollywood-based Raleigh Studios is opening a facility in the Atlanta area at the site of what used to be Riverwood Studios.
Global digital facility Prime Focus handled digital intermediate work on director Spike Lee's new documentary "If God Is Willing and Da Creek Don't Rise," which premiered on HBO August 23 and 24.