The Intl. 3D Society and USC's Entertainment Technology Center (ETC) have teamed to start a 3D University for 3D pros.
Like their scary characters, zombie films never die. They just go through iteration after iteration to feed their fans' insatiable appetites.
Technicolor's 3D-on-film system, launched in North America last October, is taking a trip overseas.
Domestic Film DAILY
PROVIDED BY: Box Office
The Equalizer1Daily:$3.6M Cumulative:$40.7M Sony / Columbia 22.26%
The Maze Runner
The Maze Runner2Daily:$1.3M Cumulative:$60.2M Fox 29.30%
The Boxtrolls3Daily:$862,914 Cumulative:$18.9M Focus 17.65%
The process of converting 2D films to 3D has hit some serious speed bumps on the road to acceptance, but it will remain a key component of filmdom's march into 3D.
The good news is that 73% of global media and entertainment chief financial officers believe that digital and mobile content will yield future revenue opportunities.
One of Hollywood's great names is jumping into the increasingly crowded 3D projection-tech market.
No one has put the letter D to better use than Don Zimmerman, whose film editing career spans pics from Hal Ashby's "Coming Home" (for which he earned an Oscar nom) to the recently released…
Is it coincidence, or is it the start of a movement?
When Judd Apatow decided to do a film in which music would play a larger role than in any of his earlier pictures, he didn't have to look very far for a composer.
The rapid evolution of film and television and how to monetize it were a common theme at the Producers Guild's Produced By conference Saturday and Sunday on the Fox lot.