Warner Bros. is heading Down Under for some of the vfx on the upcoming feature "Green Lantern."
The American Society of Cinematographers (ASC) has called for entries in the 2011 William A. Fraker Heritage Award competition for outstanding artistic achievement in student filmmaking.
U.K.-based re-recording mixer Mike Prestwood Smith is joining Todd-AO's Santa Monica facility.
What's almost as scary as being buried alive in a coffin? Shooting a feature film inside that coffin, says cinematographer Eduard Grau.
Audio post-production house Todd-AO is the first sound facility to install Christie Solaria series projectors to boost its digital cinema capabilities.
FotoKem unit Keep Me Posted (KMP), which specializes in television episodic and commercial finishing, has expanded its commitment to products from Digital Vision.
Fred Meyers, who recently worked on George Lucas' independent feature "Red Tails," is joining Burbank-based film technology and equipment shingle Band Pro.
Woody Allen likes to tell his stories with long, uncut takes -- a style that perfectly suits the taste of Vilmos Zsigmond, the cinematographer on the helmer's "You Will Meet a Tall Dark Stranger,"…
"Despair," a short film produced by bi-coastal digital effects house Look Effects in collaboration with California photographer Alex Prager, is being included in New York's Museum of Modern Art 2010…
Arri is giving plenty of support to Germany's first live-action 3D production, "Wickie and the Treasure of the Gods."