Matt Wolf

Review: 'Paul'

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The red states won't exactly be lining up to produce "Paul," Howard Brenton's unapologetically secular play about Saul of Tarsus who became Paul the Apostle. But nor will those Britons busy…

Review: 'Translations'

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Language in all its joy -- and terror -- is the abiding topic of "Translations," the masterful Brian Friel play that speaks to audiences now more than ever, even in an imperfect production.

Data

Domestic Film DAILY

PROVIDED BY: Box Office

  1. 1

    No Good Deed

    Daily Gross:$1.0M

    Cume to09.18.14: $29.9M

    No Good Deed

    1
    Daily:$1.0M Cumulative:$29.9M Sony / Screen Gems -11.16%
  2. 2

    Guardians of the Galaxy

    Daily Gross:$557,622

    Cume to09.18.14: $308.5M

    Guardians of the Galaxy

    2
    Daily:$557,622 Cumulative:$308.5M Disney -4.92%
  3. 3

    Dolphin Tale 2

    Daily Gross:$459,663

    Cume to09.18.14: $18.1M

    Dolphin Tale 2

    3
    Daily:$459,663 Cumulative:$18.1M Warner Brothers -9.19%

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Review: 'Glorious!'

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A glorious theatrical subject is more or less squandered in author Peter Quilter's lame tribute to the squeaky soprano du jour, Florence Foster Jenkins, "Glorious!" Play seems intended first as a…

Revivals meet kudo Standard

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Brian Dennehy, winner of two Tonys, was nominated Thursday for the actor prize at the Evening Standard Theater Awards, while two revivals of Friedrich Schiller plays drew four nominations between…

Lloyd Webber has full house

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Andrew Lloyd Webber is taking complete ownership of London's premier musical venues. The composer told Daily Variety on Sunday that he is buying out the 50% share of Really Useful Theaters previously…

Review: 'As You Desire Me'

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If you're going to have a face stare the audience down, who better than Kristin Scott Thomas, the radiant talent whose visage appears on the frontcloth for "As You Desire Me"? Director Jonathan Kent…

Review: 'Otherwise Engaged'

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Emotional detachment takes an enervating turn in the arid new revival of "Otherwise Engaged," the 1975 Simon Gray play that brings Richard E. Grant back to the West End for the first time in nearly…

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