Mark Fisher

Review: ‘Damascus’


Last year the Traverse, Scotland's home of new writing, kicked off its Edinburgh Festival Fringe program with "Petrol Jesus Nightmare #5," a violent broadside by Henry Adam that raged against…

Review: ‘Aalst’


The recent popularity of verbatim theater coincides with a desire to get behind the headlines, to get closer to the truth of real events, to understand the mechanics of the public world. Rarely…

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