The stars are just as stymied as the rest of the ensemble by the play's schematic structure and transparent characters.
If "Good People" isn't a hit for Manhattan Theater Club, there is no justice in the land.
The kind of flashy project that resident theater companies love to play with.
In this, the centennial year of Tennessee Williams' birth, thanks must go to the Mother of Invention for demonstrating that no one need ever again revive "Small Craft Warnings."
Geoffrey Rush's jaw-dropping performance in Neil Armfield's dazzling production of "The Diary of a Madman" is even more astounding when you consider that the thesp is reprising a role that he…
The situation is so contrived that everything about these insufferably smug characters screams bogus-bogus-bogus.
Strong writing, powerful performances, and flawless helming soften the blunt impact of "When I Come to Die."
"Thinner Than Water," seems custom-tailored for that thing they do at LAByrinth -- that anxious, angry, smartass, pissed-off-at-the-world attitude that more or less defines the house style.
Facing a chummy opening-night audience filled with theatrical patrons and well-wishers is more of a challenge than finding rapport with a roomful of strangers.
Behind its charming comic facade the play poses more unsettling questions about the compromises demanded of the old WASP social order.