Documentary filmmaker Dan Klores brings a cinematic eye to "The Wood," his reverential bio-dram about Mike McAlary, the muckraking NYC newspaper columnist who won a Pulitzer in 1998 for his…
That deadly theatrical form, the romcom, gets a jolt of life from Itamar Moses, taking a break from his TV writing chores (on "Boardwalk Empire" and "Men of a Certain Age") to pen a romantic comedy…
The Fiasco Company is a seriously cute young troupe, and this commercial mounting of their offbeat garage-band treatment of the Bard's dopiest play should be an inspiration to other M.F.A. grads…
To speak or not to speak -- that's the question behind "Sweet and Sad," the second play in Richard Nelson's projected trilogy about the Apple family.
The Mint is obviously deeply committed to Teresa Deevy, a forgotten Irish playwright whose plays were a staple of the Abbey Theater in the early part of the 20th century.
Finally, a chance to see Simon Russell Beale, one of the finest actors drawing breath, up close and personal in a play that suits his astonishingly subtle technique -- and the damned show is sold out.
"Olive and the Bitter Herbs" finds scribe Charles Busch in teddy-bear drag, dispensing warmth and compassion to a character who isn't worth the cuddles.
See one coming-of-age play and you've seen 'em all. Well ... maybe not.
When times are tough, the tough write poetry. And let's face it, nobody writes poetry like the Irish.
If you can't be original, at least be amusing. Zach Braff takes the hint and scores with "All New People," a morbidly funny play about the trendy new existential condition of being young, adorable…