It's not just that the Autobots look more distinctive and easier to tell apart than ever in "Transformers: Age of Extinction" — as Optimus Prime never tires of reminding us, these robots have actual…
Japan's rarefied geisha culture is kookily crossed with Broadway musicals in "Lady Maiko," Masayuki Suo's variation on "My Fair Lady."
A Nipponese time-travel fantasy in which sumo wrestling, electronic toilets and other cool Japanese inventions find their way into ancient Roman spas, "Thermae Romae II" nonetheless proves a less…
"If no one gets hurt, it'll be boring," snickers the archvillain of "The Target," a South Korean remake of Fred Cavaye's Gallic suspenser "Point Blank" (2010).
Two modes of realism compete for attention in Chinese arthouse helmer-scribe Wang Chao's "Fantasia," a glum yarn about a working-class family derailed by the breadwinner's illness.
Zhang Yimou's historical romance is heartbreaking in its depiction of ordinarily lives affected by political upheaval.
Mesmerizing performances by Bae Doo-na and Kim Sae-ron power this wrenching drama.
Naomi Kawase's latest drama embraces nature worship and pompous philosophizing her in her indulgently mannerist style.
Kim Seong-hung handles a taut, elaborate narrative with poise, control and near-faultless technical execution.
An insightful film about the challenges of love and connection that could stand to be far shorter and less shouty.
Law Wing-cheong's remake of 'The Iceman Cometh' should have stayed in cold storage.