Sean Gullette's predictable if well-meaning feature debut follows a young punk rocker from Tangiers desperate to earn money.
Kazakh writer-director Seric Aprymov's drama feels like a gentler-tempered, less sophisticated sibling of the recent "Harmony Lessons."
Kitty Green's fascinating documentary offers a nuanced, thoughtful portrait of the Ukrainian feminist group Femen.
Domestic Film WEEKEND OF
PROVIDED BY: Box Office
The Maze Runner
The Maze Runner1Weekend:$32.5M
A Walk Among the Tombstones
A Walk Among the Tombstones2Weekend:$13.1M
This Is Where I Leave You
This Is Where I Leave You3Weekend:$11.9M
This unblinking study of academia offers a summation of sorts of Frederick Wiseman's exceptional career.
Topnotch technique has been brought to bear on a portentously nerdy script in this treat for anime fans.
Philippe Garrel's slight but watchable comedy-drama has an unexpected emotional warmth.
Kim Ki-duk's latest is a gloriously off-the-charts study in perversity featuring castration, rape and incest.
Amos Gitai's meditative if somewhat contrived Jaffa-set drama is most notable for being constructed from a single Steadicam-shot take.
An exceptional one-man show for Tom Hardy, this ingeniously executed study in cinematic minimalism has depth, beauty and poise.
Terry Gilliam's latest bit of dystopian whimsy dissolves into a muddle of unfunny jokes and half-baked ideas.