On the eve of the Cannes Film Festival's official selection announcement, a major competition prospect has emerged in Tommy Lee Jones' frontier drama "The Homesman."
This bland, earnest yet fairly restrained Christian heart-tugger isn't quite the vomitous bucket of spiritual saccharine the ads would suggest.
Willem Dafoe and Matt Dillon anchor this blandly constructed crime thriller set in 1983 Louisiana.
A nifty found-footage thriller that marks a promising debut for writing-directing duo Clif Prowse and Derek Lee.
Although less "awww"-inspiring than "Born to Be Wild," this doc should score impressive numbers as a family-friendly educational crowdpleaser.
He who has ears to hear, let him buy a ticket to Darren Aronofsky's extraordinary movie.
Domestic and ecological dramas abound in this bright, noisy, overstuffed sequel to Fox's 2011 surprise hit.
A belated festival premiere for Bennett Miller's "Foxcatcher" and a powerhouse showing for British filmmakers including Mike Leigh and Ken Loach are among the possibilities hovering over the Cannes…
The camera stays glued to one guy's computer screen in this gimmicky but audacious exercise in neo-Hitchcockian suspense.
This lightly amusing heist-movie riff feels as disposable as the numerous counterfeit paintings that exchange hands throughout.
Domestic Film DAILY
PROVIDED BY: Box Office
Captain America: The Winter Soldier
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