Joe Leydon

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  • Film

Review: ‘The Matador’

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Deftly maneuvering through audacious mood swings and tonal shifts, "The Matador" emerges as a quirky yet commercial commingling of black comedy, seriocomic psychodrama, heart-tugging sudser and…

  • Film

Review: ‘White Noise’

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"White Noise" is nothing to shout about. The first major Hollywood studio release of 2005 is an unsatisfying supernatural thriller with an effectively unsettling build-up and a frustratingly muddled…

  • Film

Review: ‘Fat Albert’

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Hey, hey, hey? No, no, no. A clunky mix of animated hijinx, live-action farce and inspirational uplift, "Fat Albert" is flat-footed and ham-handed in its attempt to reconstitute a popular '70s TV…

  • Film

Review: ‘Track Down’

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After gathering dust for nearly five years, "Track Down" finally emerges as homevid fodder. Pic appears to have found its natural habitat: Although originally intended for theatrical release…

  • Film

Review: ‘Evil Remains’

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Riffing on visual and narrative tropes from "Halloween," "The Texas Chainsaw Massacre," "The Blair Witch Project" and dozens of other, better pics, writer-director James Merendino manages only…

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