Joe Leydon

  • Film

Review: 'Two Flags'

By

Vet South Korean helmer Aum Jong Sun has a good chance to move beyond the global fest circuit with "Two Flags," an affecting wartime drama that could click with arthouse ticket buyers.

  • Film

Review: 'Colonel Chabert'

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Acclaimed French cinematographer Yves Angelo ("Germinal,""Tous Les Matins du monde") makes a self-assured and uncommonly satisfying directorial debut with "Colonel Chabert," a fascinating period…

Data

Domestic Film DAILY

PROVIDED BY: Box Office

  1. 1

    No Good Deed

    Daily Gross:$1.0M

    Cume to09.18.14: $29.9M

    No Good Deed

    1
    Daily:$1.0M Cumulative:$29.9M Sony / Screen Gems -11.16%
  2. 2

    Guardians of the Galaxy

    Daily Gross:$557,622

    Cume to09.18.14: $308.5M

    Guardians of the Galaxy

    2
    Daily:$557,622 Cumulative:$308.5M Disney -4.92%
  3. 3

    Dolphin Tale 2

    Daily Gross:$459,663

    Cume to09.18.14: $18.1M

    Dolphin Tale 2

    3
    Daily:$459,663 Cumulative:$18.1M Warner Brothers -9.19%

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Marketplace

  • Film

Review: 'Skallagrigg'

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"Skallagrigg" is a well-crafted and beautifully acted BBC production with solid theatrical potential. The marketing challenge will be to convince audiences this is not a story about disabled…

  • Film

Review: 'Nastazja'

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Andrzej Wajda's "Nastazja" is the sort of jaw-dropping folly that only a great filmmaker would attempt. Indeed, only someone with Wajda's international prestige would likely be able to convince…

  • Film

Review: 'It's Pat'

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Ever hear the one about the pic that was too bad to be released, so it escaped? Well, that old joke now has a new punch line: "It's Pat," a shockingly unfunny "Saturday Night Live" spinoff that…

  • Film

Review: 'Men Lie'

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There's probably an audience out there for "Men Lie," but it will take a savvy distrib with niche-marketing skills to find it. Word of mouth could generate pleasing B.O. in urban markets. Vid and pay…

  • Film

Review: 'May Jean'

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Vet Taiwanese filmmaker Steven C.C. Liu returns after a 10-year hiatus with a lavishly mounted but simplistic melodrama that veers perilously close to high camp. Despite obvious sincerity on Liu's…

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