"Tommaso" toys with out-dated psychoanalytic theories about the monstrous mother to explain why men are trapped in an infantile relationship with the opposite sex.
Monica Bellucci stars as a half-Serbian woman meant to be the bride of one man but destined for another in Emir Kusturica's fairy-tale-ish story reveling in exaggerated, precious phoniness.
"These Days" tries hard to dress up phony scenes in the guise of realism, but surely teens and twentysomethings have had enough of such hackneyed characters.
2016-2017 Oscar Predictions
A delightful, surprisingly respectful mockumentary that takes gentle aim at the incongruities of monarchy, Belgium, and the Balkans.
The film has the kind of majesty found not in the grand gesture but the modest detail, the kind that accumulates resonance with each seemingly minor event until the picture becomes complete.
Anglo-Italian Roan Johnson's third feature is a grab bag of naïve teens and unmodulated hot-headed adults who wear out their welcome early on.
Too many caricatures make the film feel only haphazardly invested in the intelligent commentary it struggles to balance with broad satire.
The joys of back-stage machinations are joined to waggish digs at the Church hierarchy, set off by nervy writing and Paolo Sorrentino's usual visual feast.
A young Frenchman in 1919 travels to Germany to meet the parents and fiancée of his dead friend in this semi-arty costumer lacking the potency of the original.
Unfolding in classic actioner style, this rousing gem has everything one wants for an evening's entertainment, from the irresistible pull of a spy thriller to terrific technical specs.
What means to be a sympathetic reflection on the desire for faith is weakened by a calculated solemnity that pushes away an empathic response.