Animating Leonardo da Vinci's drawings in 3D makes the groundbreaking visionary more child's cartoonist than incomparable draughtsman; a theatrical release seems beside the point since this sort of…
A streamlined Dubai Intl. Film Festival handed out their prizes Dec. 16 at a ceremony and dinner at the Burj Al Arab, sometimes labeled the world's most luxurious hotel. For the fest's 11th edition…
Few helmers deserve the title "maverick" as much as Gust Van den Berghe, whose ceaseless experimentation has come up with "Tondoscope," a new round format shot via an optical cone-shaped mirror.
Peruvian cuisine's global popularity has no more vocal champion than Gaston Acurio, restaurateur extraordinaire and subject of Patricia Perez's worshipful, mouth-watering docu.
A straightforward, absorbing docu that follows a group of Syrian refugee women performing an adapted version of Euripides' "The Trojan Women" which incorporates their own stories.
If Joseph Mankiewicz were alive, one can imagine him wanting to remake "Flowers," with its poignantly old-fashioned premise that also comments on contempo society.
The sorrow of displacement weighs heavily upon Tala Hadid's feature debut, telling of a glum Moroccan-Iraqi searching for his missing brother while protecting a little girl from white slavers.
"Casanova Variations," the film adaptation of a "chamber opera play" by Michael Sturminger, is so full of its own forced charm that only diehard John Malkovich fans will feel enriched.
"Dior and I" follows Raf Simons as he launches his first haute couture collection for Christian Dior, proving that the art of design, like all art, is more about vision than price-tag.
"Sunday Ball" ennobles its subjects without losing any of the excitement of the game: a painterly sense of composition is paired with Renato Vallone's first-rate editing, accompanied by delightfully…