Inasmuch as anything can be called “official” in the unscientific business of Oscar-watching, the early-fall festival trifecta of Venice, Telluride and Toronto marks the official start of awards…
While much coverage of the European Union's Media Program focuses on its extensive contribution to European film production, its investment in the audiovisual sector extends far past a project's…
A fast, fizzy and frenetically entertaining extension of the manic gaming franchise that, at its zenith, had children of all ages glued to their smartphone screens
While a subtly clawed Chloë Grace Moretz proves a worthy new foil, it's Zac Efron's tragicomic anatomy of a dudebro that remains this series' sharpest asset.
Even the fiercest queens on "RuPaul's Drag Race" aren't put through the wringer half as rigorously as the twiggy protagonist of "Viva."
There's just enough blaring sound and color to this knowingly silly tale of interplanetary derring-do to adequately offset its impersonal corporate sheen.
Among the most singular films to premiere at this Tribeca Film Festival, Alma Har'el's documentary "LoveTrue" reps an unusual view on the well-worn topic of love, in all its human imperfections.
As fans continue their push for Idris Elba to fill Daniel Craig's 007-sized shoes, they could point to far worse case studies for his suitability than "Bastille Day."
Human love — in all its fulsome, frustrating forms — is a hefty subject for an 82-minute documentary to wrap its arms around, but Alma Har'el's opalescent, often bewitching "LoveTrue" makes a virtue…
The show's not over 'til the flat lady sings in "Florence Foster Jenkins," Stephen Frears' bright, bubbly and suitably ear-bursting biopic of surely the least gifted chanteuse ever to sell out…
Doubled-up diva-tude can't ignite a rhythmically flat, seemingly committee-helmed franchise outing that never decides on its dramatic center.