A stunningly singular third feature by German writer-director Maren Ade that transports the intricately magnified human observation of her previous work to a richly unexpected comic realm.
There was a time when scores of defiant adolescents asserted intellectual independence from their parents by turning their backs on religion; in this more agnostic age, picking up the Bible can be…
This elegantly opaque social satire touches on bureaucratic ineptitude, class conflict and very questionable parenting.
Inasmuch as anything can be called “official” in the unscientific business of Oscar-watching, the early-fall festival trifecta of Venice, Telluride and Toronto marks the official start of awards…
While much coverage of the European Union's Media Program focuses on its extensive contribution to European film production, its investment in the audiovisual sector extends far past a project's…
A fast, fizzy and frenetically entertaining extension of the manic gaming franchise that, at its zenith, had children of all ages glued to their smartphone screens
While a subtly clawed Chloë Grace Moretz proves a worthy new foil, it's Zac Efron's tragicomic anatomy of a dudebro that remains this series' sharpest asset.
Even the fiercest queens on "RuPaul's Drag Race" aren't put through the wringer half as rigorously as the twiggy protagonist of "Viva."
There's just enough blaring sound and color to this knowingly silly tale of interplanetary derring-do to adequately offset its impersonal corporate sheen.
Among the most singular films to premiere at this Tribeca Film Festival, Alma Har'el's documentary "LoveTrue" reps an unusual view on the well-worn topic of love, in all its human imperfections.
As fans continue their push for Idris Elba to fill Daniel Craig's 007-sized shoes, they could point to far worse case studies for his suitability than "Bastille Day."