A film that daubs an unexpected range of tones, from the tragically romantic to the jauntily comic, onto the canvas with free abandon.
A lumbering, unmoored soaper of fraternal conflict and romantic healing in the trauma-ridden aftermath of the First World War.
Family disputes can be ephemeral things, with hot-headed fury often dissolving into apologetic embraces before the terms of the argument even become clear.
The title of "Moka," an elegantly lean, low-temperature thriller from Swiss writer-director Frédéric Mermoud, turns out to be less enigmatic than it sounds.
He may have played one of the most beloved fictitious Commanders-in-Chief in recent cinematic history, but back in the real world, Bill Pullman is hoping to let Hillary Clinton get on with the job.
The "we" of "We're Still Together" may refer to sorely tested individuals trying to keep their own disordered lives in one piece.
The title may refer to a particularly finicky tonsorial procedure, but "Waves" is also fitting description for the mood and pace of Polish writer-director Grzegorz Zariczny's small, beautifully…
Much satisfaction is demanded in Henrik Ruben Genz's fast-and-loose period romp "Satisfaction 1720," and while the Rolling Stones' rock standard never pops up on the film's heavily anachronistic…
"Is he or isn't he?" is the question driving the frost-bitten assumed-identity thriller "The Next Skin" — though even if answered, the matter of exactly who "he" is would continue to hang in the…
The thesis that many thirtysomething men these days are essentially still children in larger (and often dirtier) T-shirts is hardly a revelatory one in the age of Judd Apatow, but "Kamper"…
"Blush" is perhaps not the most apposite English-language title for writer-director Michal Vinik's fresh, frank look at coming out and coming of age in contemporary Israel: It's a film that shows…