Immerse and conquer
How old Hollywood became home to new theatrical experiences.
Glenn Whipp
Among the competitors
From popular latenight series, talkshows, kudocasts to one-offs, TV Acad voters have plenty to choose from among a handful of the medium's most memorable moments
Voters seek the nom less traveled
'Anarchy' reigns on BTJA nomination parade
Year nice guys might finish first
Dark characters gain attention but Acad may be giving nice guys a new look
Anson Mount in 'Hell on Wheels'
Anson Mount's first scene in AMC's transcontinental railroad saga "Hell on Wheels" found his character impersonating a preacher and putting a bullet through the forehead of a man confessing his sins.
Kelsey Grammer in 'Boss'
Kelsey Grammer spent two decades playing Frasier Crane, a lovably pompous psychiatrist whose first impulse was to analyze -- and then analyze a little bit more -- before taking action.
Sensational plots served oh-so-subtly
Primetime pushes the melodrama envelope
Eyes vs. prize
Showrunners weigh the tradeoff between viewers and kudos.
Lab turns fest guests into lecturers
Telluride Film Lab turns fest guests into honorary UCLA lecturers
Media Mentor of the Year: Teri Schwartz
As biz shifts, UCLA School of Theater, Film and Television revisioned for the future
VScore
Domestic Film DAILY
-
1
The Hangover Part III
The Hangover Part III
1Daily: $11.8M Cumulative: $11.8M Warner Brothers 1st in 1st week -
2
Star Trek Into Darkness
Star Trek Into Darkness
2Daily: $8.0M Cumulative: $108.8M Paramount Pictures 2nd in 1st week -
3
Star Trek Into Darkness
Star Trek Into Darkness
3Daily: $6.8M Cumulative: $108.8M Paramount Pictures 3rd in 1st week
Data provided by:
