Eric Myers

'Prisoner'

Review: 'Vanessa'

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One of the handful of great American operas, Samuel Barber and Gian Carlo Menotti's "Vanessa" has made a welcome return to New York in City Opera's moving new production.

Review: 'Cendrillon'

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Populux design runs riot in this sprightly updating of Massenet's "Cendrillon." Cinderella is a fairy tale so iconically familiar it can be adapted to just about any era. Here, director-choreographer…

Data

Domestic Film DAILY

PROVIDED BY: Box Office

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    The Maze Runner

    Daily Gross:$1.9M

    Cume to09.22.14: $34.4M

    The Maze Runner

    1
    Daily:$1.9M Cumulative:$34.4M Fox -76.03%
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    A Walk Among the Tombstones

    Daily Gross:$962,590

    Cume to09.22.14: $13.7M

    A Walk Among the Tombstones

    2
    Daily:$962,590 Cumulative:$13.7M Universal Pictures -67.12%
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    This Is Where I Leave You

    Daily Gross:$864,209

    Cume to09.22.14: $12.4M

    This Is Where I Leave You

    3
    Daily:$864,209 Cumulative:$12.4M Warner Brothers -68.56%

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Marketplace

Review: 'Il Trovatore'

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Opera fans familiar with the standard performing edition of "Il Trovatore" were treated to a change of pace on Saturday night, when Caramoor Festival's resident bel canto expert, Will Crutchfield…

Review: 'La Donna del Lago'

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While the Metropolitan Opera keeps rotating productions of Rossini's crowd-pleasing comedies "Il Barbiere di Siviglia," "L'Italiana in Algieri" and "La Cenerentola" in its repertoire, the company has…

Review: 'Otello'

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Those familiar with Verdi's monumental operahouse staple "Otello" got a rare chance Wednesday at Carnegie Hall to hear the version composed 71 years earlier by Gioachino Rossini. Written just after…

Review: 'L'elisir d'amore'

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Donizetti's popular 1832 comic opera "L'elisir d'amore" is set in a small Italian village -- but that's not where it takes place in Jonathan Miller's new production at New York City Opera. Ponytails…

Review: 'Tancredi'

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Ewa Podles has enjoyed two decades of operatic superstardom in Europe, yet she has been routinely ignored by the Metropolitan Opera. A true contralto, the lowest and rarest of all female voices…

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