Eric Myers

Diana Damrau and Zeljko Lucic in

Review: 'Rigoletto'

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Broadway director Michael Mayer ("Spring Awakening," "American Idiot") takes on his first opera with the Met's new "Rigoletto," which he relocates from 16th-century Mantua to Rat Pack-era Las Vegas.

Isabel Leonard in “The Tempest”

Review: 'The Tempest'

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Director Robert Lepage divided audiences and critics alike with his recent Metroplitan Opera staging of Wagner's Ring cycle, but he'll earn back a lot of brownie points with his production of…

Data

Domestic Film DAILY

PROVIDED BY: Box Office

  1. 1

    The Equalizer

    Daily Gross:$3.6M

    Cume to09.30.14: $40.7M

    The Equalizer

    1
    Daily:$3.6M Cumulative:$40.7M Sony / Columbia 22.26%
  2. 2

    The Maze Runner

    Daily Gross:$1.3M

    Cume to09.30.14: $60.2M

    The Maze Runner

    2
    Daily:$1.3M Cumulative:$60.2M Fox 29.30%
  3. 3

    The Boxtrolls

    Daily Gross:$862,914

    Cume to09.30.14: $18.9M

    The Boxtrolls

    3
    Daily:$862,914 Cumulative:$18.9M Focus 17.65%

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'Faust'

Review: 'Faust'

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Few would argue that Charles Gounod's 1859 operatic version of the familiar "Faust" tale is any kind of masterpiece, yet it remains a perennially popular staple of opera's repertoire.

'Don Giovanni'

Review: 'Don Giovanni'

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The combination of Donmar Warehouse artistic director Michael Grandage and gifted baritone Mariusz Kwiecien sounded like a potent one -- the former making his Metropolitan Opera directing debut with…

'Il Trovatore'

Review: 'Il Trovatore'

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It may be among Verdi's most popular operas, but "Il Trovatore" has suffered one bad staging after another at the Met over the past 40 years. This latest version, a co-production with Lyric Opera of…

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