With far-right nationalist ideologies suddenly a matter of pressing interest to almost everyone, the timing is regrettably ideal for "Keep Quiet."
A sudden disappearance is usually springboard for thriller conventions, but writing-directing duo Lisa Robinson and Annie J. Howell's feature takes that premise down another path.
The combination of raves, hallucinogens, wild youth and pagan rituals in a creepy former mental asylum ought to add up to something a lot more exciting than it does in this U.S.-Colombia…
Billed as a wilderness survival thriller, "Sugar Mountain" is in fact more of a potboiler involving a romantic triangle and ill-conceived fraud scheme.
A franchise-aspirational horror opus that takes too long establishing its premise, then peters out in a climactic jumble of scare-free digital FX.
A belated feature expansion of the best segment from 2012 horror omnibus "V/H/S," with Hannah Fierman as the titular creature the only major returning talent.
Though they only wrapped up four years ago, the "Twilight" movies already seem ancient history in pop culture terms. Ditto the memory of Taylor Lautner as an Oughties It Boy, that temporary career…
Like writer-director Bryan Bertino's prior "The Strangers," this is an admirably lean/mean execution of an elemental horror conceit.
Adam Irving's documentary profiles the man with Asperger's Syndrome who has repeatedly, competently, harmlessly--yet illegally--assumed control of New York City subway trains for decades.
The greasepaint-by-numbers terror is often so laughably rote, not to mention so poorly written and acted, that some viewers will find considerable entertainment value here.
Goran Paskaljevic's first non-Serbian subject since the Irish "How Harry Became a Tree" fifteen years ago is a collaboration with Indian star/co-writer Victor Banerjee.