A cheerfully mean-spirited spectacle of numerous trapped people killing each other lest they be killed.
Gracelessly mashes together hardboiled crime-meller cliches and an unintentionally funny "Oh no! I'm a chick now!!" gender-change narrative hook.
A baroque mixture of real historical personages, fictive figures, multi-tiered flashbacks, and grisly criminal intrigue in 1880 London.
This assured suspense drama sports little of the blackly comedic streak usually associated with its maker.
The rather insipid book is somewhat improved upon by its film adaptation, a first directorial feature for producer Susan Johnson.
A de-glammed Fan Bingbing's peasant heroine is anything but helpless, as her quest for justice reaches the highest levels of government.
Director/co-scenarist Adam Randall's first feature sends Josh Bowman of ABC's "Revenge" scurrying around London on a mission to save his girlfriend from unknown kidnappers.
After a summer of expensive fantasy-action disappointments, there's something refreshing about this remake's admittedly dopey but good-natured, straightforward mano-a-mano.
The "invisible man" genre hook is the least successful element in this nicely crafted drama about a man struggling to retain any connection to human society.
This shaggy quasi-thriller offers a drolly amusing, lightly macabre variation on the standard lesbian romantic comedy.
Playwright Ian MacAllister-McDonald's debut feature is a refreshingly grounded, unsentimental yet empathetic slice of D-list teenage life.
2016-2017 Oscar Predictions