Dennis Harvey

  • Film

Review: 'Love Life'

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Silly, sudsy "Love Life" is a quadrangle in which two yuppies in an old-fashioned "beard" marriage realize that, duh, maintaining the pretense of heterosexual suburban normality isn't worth it if…

  • Film

Review: 'Opencam'

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Heavier on sex appeal than suspense, Robert Gaston's pic is ostensibly a serial-killer drama but spends most of its time getting its comely cast undressed. Set among Washington, D.C.'s…

  • Film

Review: 'Last Second'

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Billed as the first Indonesian lesbian feature, Nanang Istiabudi's "Last Second" is sympathetic enough in that aspect, but confuses the message more than a little by overwhelming the protag with…

Marketplace

  • Film

Review: 'A Love to Hide'

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Like numerous recent French telepics, "A Love to Hide" offers gay-themed drama more compelling and better-produced than a lot of what's shown up on international bigscreens and at gay fests of late…

  • Film

Review: 'The Believers'

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"The Believers" chronicles formation of the world's first professional transgender gospel choir, which might set more than a few conservative Christian mindsets reeling. Highlighting individual…

Review: 'Happy End'

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ACT is advertising "Happy End" as "The Gangster Musical"-- that and accompanying graphics suggest something cool and relatively modern. There's a lot to like in Carey Perloff's staging, a rare…

  • Film

Review: 'The Conrad Boys'

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Justin Lo is producer, director, editor, writer and star of debut feature "The Conrad Boys." Blandly earnest drama of a young gay man trying to raise his little brother after they're orphaned plays…

  • Film

Review: 'Fat Girls'

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Placing the crass high school surrealist humor in the familiar frame of a gay-teenage-misfit's coming-out saga, "Fat Girls" wins no points for delicacy. Still, it does score some laughs. Low budget…

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